Based on real-life events, the film recounts the efforts of the Wuhan medical staff as they attempt to deal with the rising cases of Covid-19.

A Chinese-American teenager attends Chinese classes on weekends with his friend Monica. He falls in love with Abigail, a very religious girl, which leads him to question his identity and values.

In New York City in 1980, Dexter Mitchell plays half-willing big brother to his neighbors, a trio of exchange students from the People's Republic of China.

Average teenager Jin Wang juggles his high school social life with his immigrant home life. When he meets a new foreign student on the first day of the school year, even more worlds collide as Jin is unwittingly entangled in a battle of Chinese mythological gods.

Larry is an unqualified, unemployable, inebriated prankster who rides a tide of booze onto the glorious shores of an undiscriminating Quick-Lube. Taking a part-time job vacuuming and washing windshields, Larry finds himself mixed up with hostile co-workers and unsatisfied customers, while also finding himself smitten with his lovely boss, Lupe Torrez. Will Larry keep it together long enough to win the girl, provide for man's best friend (his dog Arrow), and do his grandmother proud?

DELUXE TWO-DISC EDITION 　　AVANT-GARDE 3 EXPERIMENTAL CINEMA 1922-1954 　　CAVALCANTI MAAS PETERSON BROUGHTON BUTE KESSLER WHITNEY KIRSANOFF MURPHY MARC'O WATSON HUFF 　　From THE Collection of THE GEORGE EASTMAN HOUSE AND FROM THE RAYMOND ROHAUER COLLECTION 　　From the little theaters of the 1920s to the ad hoc film societies of the '50s, avant-garde cinema knew no established form and held no predictable position. The boundaries of its history are still hotly debated, but its rough sensibilities informed and permeated the city symphonies of Alberto Cavalcanti, the visual music of Mary Ellen Bute and John Whitney, the classroom films of Sidney Peterson, the confessional film poems of Willard Maas and John E. Schmitz, the Lettrist cinema of Marc'O, and even marginal exploitation films and home movies. Drawn from the rich collections of Raymond Rohauer and the George Eastman House, Kino's third volume of experimental films continues to illuminate the degree to which cinema's evolution has been influenced by those filmmakers who occupy its periphery.

Han-kook starts to work as an apprentice chef at a Chinese restauraunt belonging to his father's friend, but rather than follow the painstaking process of preparing the food by hand, Han-kook begins to use pre-processed ingredients.

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When emergencies occur, the trauma team from San Francisco City Hospital is first on the scene, traveling by land, by sea or by air to reach their victims in time. From the heights of the city's Transamerica Pyramid to the depths of the San Francisco Bay, these heroes must face the most extreme conditions to save lives, and give meaning to their own existence in the process.